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He noted that the term was already being used by art dealers, and cites The Times (2 November 1966) and an essay named Les Arts Déco in Elle magazine (November 1967) as examples. Īrt Deco gained currency as a broadly applied stylistic label in 1968 when historian Bevis Hillier published the first major academic book on it, Art Deco of the 20s and 30s. The term was then used in a 1966 newspaper article by Hillary Gelson in The Times (London, 12 November), describing the different styles at the exhibit. The actual term art déco did not appear in print until 1966, in the title of the first modern exhibition on the subject, held by the Museum of Decorative Arts in Paris, Les Années 25 : Art déco, Bauhaus, Stijl, Esprit nouveau, which covered the variety of major styles in the 1920s and 1930s. The book was a spirited attack on the excesses of the colourful, lavish objects at the Exposition, and on the idea that practical objects such as furniture should not have any decoration at all his conclusion was that "Modern decoration has no decoration". DÉCO.", which were combined into a book, L'art décoratif d'aujourd'hui (Decorative Art Today).
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It took its present name, ENSAD ( École nationale supérieure des arts décoratifs), in 1927.Īt the 1925 Exposition, architect Le Corbusier wrote a series of articles about the exhibition for his magazine L'Esprit Nouveau, under the title "1925 EXPO.
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In response, the École royale gratuite de dessin (Royal Free School of Design), founded in 1766 under King Louis XVI to train artists and artisans in crafts relating to the fine arts, was renamed the École nationale des arts décoratifs (National School of Decorative Arts). In 1875, furniture designers, textile, jewelry and glass designers, and other craftsmen were officially given the status of artists by the French government.
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In 1868, the Le Figaro newspaper used the term objets d'art décoratifs for objects for stage scenery created for the Théâtre de l'Opéra.
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It influenced the design of buildings, furniture, jewelry, fashion, cars, movie theatres, trains, ocean liners, and everyday objects such as radios and vacuum cleaners. Top to bottom: Chrysler Building in New York City (1930) Poster for the Chicago World's Fair by Weimer Pursell (1933) and hood ornament Victoire by René Lalique (1928)Īrt Deco, sometimes referred to as Deco, is a style of visual arts, architecture and design that first appeared in France just before World War I.